Prolog

Bermula dari mata, lalu ke hati. Kita tanam dan rangkai cinta-Nya di jiwa yang paling dalam. Ayang, hamba Allah yang paling kucintai. Mari buka jendela, lihat angkasa. Duduk berdua dalam rido-Nya.

Today's Theme

Art is something that is needed in humans life. without arts, life

Debus, Martial Art From Banten West Java of Indonesia



DEBUS is a traditional martial art performance that relates with body invulnerability as means of self defense for Banten people. It is a combination of dance art, vocal and spiritual arts with a magic ambience. Debus is an art performance showing body invulnerability through strokes, stabs, and cuts by sharp objects. In its performance, Debus shows a lot of body invulnerability acts by its performer. On the times of Sultan Ageng Tirtayasa reign, around 17th century (1651 - 1652), debus was focused as means to build patriotism in fightiDebus has been one of the several cultural arts from Banten making it one of the favorite, rare and unique entertainment for Banten people. In Banten, Debus develop in Lebak Regency, Pandeglang, Cilegon City and several District in Serang Regency such as: Walantaka, Kragilan, Curug, etc.

Here as we saw, A child that his neck was slice off with a dagger.But his not wounded and no blood no pain.This is why Debus was so popular among people and also as a tourist attraction.
Of all the cultural traditions of Banten, the one that outsiders find most fascinating and frightening is the Debus performance, in which the practitioners engage in such gruesome feats of self-immolation as skewering themselves with metal spikes, walking on coals, and allowing themselves to be beaten with a sledge hammer while lying on a bed of nails, all without appearing to suffer bodily damage. “Originally, Debus was used to attract new followers to Islam. It struck fear in the hearts of our foes and inspired respect for the power of the new religion. All members of the audience were required to be Muslims.
So,if you want to see this performance,come to Banten,West Java,and of course my Lovely Indonesia.

Threats to Dayak culture

There have been three forestry revolutions in modern Kalimantan – logging in the 1970s, the development of the plywood industry in the 1980s, and cash-crop plantation in the ‘90s and onward.
Incursions into the Dayaks’ ancestral homelands by big business have arguably done nothing but harm to Dayak culture. There is a strong need for land rights reform if the Dayaks are going to overcome the economic prerogatives of loggers, plantations, colonists and transmigrant settlers.
It should be understood that as the traditional custodians of Kalimantan, the Dayak people possess inherent rights to continue dwelling in their ancestral lands and to carry out their culture as they have done for millennia. That said, there is also a great deal of traditional knowledge, language, culture and music yet to be documented by anthropologists and shared worldwide. Indigenous knowledge of ethnozoology and ethnobotany might prove crucial to the development of new medicines (for example, the use of bintangor plants in treating AIDS) or new food or fuel sources. The loss of such knowledge due to the marginalisation of the Dayak people would be a great tragedy.
Dayakology is a site run by Dayaks http://www.dayakology.com/
WALHI, the Indonesian Forum for the Environment, is helping to protect Dayak rights in Borneo.
You can read about them here: http://www.eng.walhi.or.id

GARUDA WISNU KENCANA, World's Tallest Statue


The Garuda Wisnu Kencana Statue is locates in Unggasan hill- Jimbaran, Bali. This statue is the creation from Bali famous carver, I Nyoman Nuarta. This monument will develops as cultural park and be icon for Bali tourism and Indonesia.
This statue is Dewa Wisnu form that in Hinduism is Sthiti, the keep care God, rides an eagle. This eagle character can see in an Eagle and his kingdom that story about devote and sacrifice of an Eagle for save his Mother from slavery that finally keeps by Dewa Wisnu.
This statue projection for binding spatial with sight distance of up to 20 km. the statue can see by you from Kuta, Sanur, Nusa Dua up to Tanah Lot. The Garuda Wisnu Kencana statue is a symbol of environment and world rescue mission. The statue makes the combination between copper and steel with weight about 4.000 tons. The measurement of this statue is 75 meters of height and 60 meters of wide. If this statue has finish, this Statue will be the biggest statue in the world and defeat the Liberty Statue.
garuda wisnu kencana bali
Picture source here.

Thought I start this thread myself....We need to show the world what's coming up in our country.

This will be 145 m tall (only the statue) and visitors can go up all the way to the bird's eyes level for observation. Built on top of the hill in Jimbaran, Bali - it will be visible from 20 km radius. Arriving on Ngurah Rai airport will be a different experience - guaranteed. Plan opening date is around 2006. Project has been going on for about 4 years.



For more info, please go to www.gwk-bali.com

You have to go to the site to admire the scale of this project....While you are there, don't forget to visit the carved lime stone as well.


The Baduy, who call themselves Kanekes, are a traditional community living in the western part of the Indonesian province of Banten, near Rangkasbitung. Their population of between 5,000 and 8,000 is centered in the Kendeng mountains at an elevation of 300-500 meters (975'-1,625') above sea level. Their homeland in BantenJava is contained in just 50 km² (20 sq. miles) of hilly forest area 120 km (75 miles) from Jakarta, Indonesia's megalopolis of high-rises and fast cars.

Groups

The Baduy are divided into two sub-groups; the Baduy Dalam (Inner Baduy), and the Baduy Luar (Outer Baduy). No foreigners were allowed to meet the Inner Baduy, though the Outer Baduy do foster some limited contacts with the outside world. The origin of the word Baduy came from the term "Bedouin".

Language

The Baduy speak a dialect derived from archaic Sundanese. However, modern Sundanese and Javanese influences in their archaic dialect can be heard in their speech.


Religion and Beliefs

The religion of the Baduy is known as Agama Sunda Wiwitan, a combination of traditional beliefs and Hinduism. However, due to lack of interaction with the outside world, their religion is more related to Kejawen Animism, though they still retain many elements of their original Hindu-Buddhist religion, like the terms they use to define things and objects, and the rituals in their religious activities. A certain amount of Islamic influence has also penetrated into the religion of a few of the Baduy Luar in recent years, with some original ideas thrown in for good measure. The ultimate authority is vested in Gusti Nu Maha Suci, who according to the Baduy sent Adam into the world to lead the life of a Baduy.

The Baduy also observe many mystical taboos. They are forbidden to kill, steal, lie, commit adultery, get drunk, eat food at night, take any form of conveyance, wear flowers or perfumes, accept gold or silver, touch money, or cut their hair. Other taboos relate to defending Baduy lands against invasion: they may not grow sawah (wet rice), use fertilizers, raise cash crops, use modern tools for working ladang soil, or keep large domestic animals.
There is evidence that they were originally Hindu, and adopted this many centuries before foreign influence including Arab (Islam), European (Christianity) etc.

Social Classes

Generally speaking, the Baduy are divided into two groups: The Baduy Dalam and The Baduy Luar. The community of villages in which they live are considered mandalas, derived from the Hindu/Buddhist concept but referring in the Indonesian context to places where religion is the central aspect of life.
The population of about 400 Baduy Dalam consists of 40 families Kajeroan who live in the three villages of Cibeo, Cikertawana, and Cikeusik in Tanah Larangan (forbidden territory) where no stranger is permitted to spend the night. They are probably the purest Baduy stock. The Dalam follow the rigid buyut taboo system very strictly,(see Religion and Beliefs for more information about their taboos) and thus they have made very few contacts with the outside world as they are considered as "People of the sacred inner circle". The Dalam are the only one of these two major clans that have the Pu'un, the spiritual priest of the Baduy. The Pu'un are the only people that visit the most hallowed and sacred ground of the Baduy which lies on Gunung Kendeng, in a place called Arca Domas. Unlike the Luar, the Dalams are hardly influenced by Islam.
The Baduy Luar make up the remainder of the Baduy population, living in 22 villages and acting as a barrier to stop visitors from entering the Sacred Inner circle. They do follow the rigid taboo system but not as strictly as the Dalam, and they are more willing to accept modern influence into their daily lives. For example, some Luar people now proudly sport the colorful sarongs and shirts favored by their Sundanese neighbours. In the past the Baduy Luar only wore only their homespun blue-black cloth, and were forbidden to wear trousers. Other elements of civilization (toys, money, batteries) are rapidly infiltrating especially in the villages to the north, and it is no longer unusual for an outer Baduy to make a journey to Jakarta, or even to work outside as a hired hand during the rice planting and reaping seasons. Some even work in big towns and cities like JakartaBogor and Bandung. Animal meat is eaten in some of the outer villages where dogs are trained for hunting, though animal husbandry is still forbidden.

History

Some people believe that the Baduy are the descendants of the aristocracy of the Sunda Kingdom of Pajajaran who lived near Batutulis in the hills around Bogor; their domestic architecture follows most closely the traditional Sundanese architecture. Pakuwan Pajajaran port known asSunda Kelapa, was destroyed by invading Faletehan (Fatahillah) Muslims soldier in 1579, Dayeuh Pakuan the capital of Pajajaran, was invaded by Banten Sultanate some times later. However, the Baduy today are increasingly losing touch with their Hindu culture and increasingly getting closer to nature both in their own religion and their life, as they use no electricity, fertilizer or irrigation techniques in their farming. Another theory suggests that they originate in northern Banten; pockets of people in the northern hills still speak the archaic dialect of Sunda that the Baduy use.

Education

Even today, despite the ways that Suharto tried to force them to change their lives and build modern schools in their territory, the Baduy opposed the government. As a result, very few Baduy are able to read or write. Jesuit priest Wayne P. Penaflorida is a leading proponent for education of all Baduy.

Sundanese Culture


Sundanese culture has borrowed much from Javanese culture, however it differs by being more overtly Islamic, and has a much less rigid system of social hierarchy. The Sundanese, in their mentality and behavior, their greater egalitarianism and antipathy to yawning class distinctions, their community-based material culture, of feudal hierarchy, apparent among the people of the Javanese Principality. Central Javanese court culture nurtured in atmosphere conducive to elite, stylized, impeccably-polished forms of art and literature. In a pure sense, Sundanese culture bore few traces of these traditions.
Tari Merak, Sundanese traditional peacock dance.
The art and culture of Sundanese people reflect historical influences by various cultures that include pre-historic native animism and shamanism traditions, ancient Hindu-Buddhist heritage, and Islamic culture. The Sundanese have very vivid, orally-transmitted memories of grand era of theSunda Kingdom. The oral tradition of Sundanese people is called Pantun Sunda, the chant of poetic verses employed for story-telling. It is the counterpart of Javanese tembang, similar but quite different with Malay pantun. Traditional artforms include pencak silat martial arts, angklungbamboo music, kecapi suling music, gamelan degungjaipongan and other dances, and wayang golekpuppetry.[citation needed] Many forms of kejawen dance, literature, gamelan music and shadow puppetry(wayang kulit) derive from the Javanese. Sundanese shadow puppetry is more influenced by Islamic folklore than the influence of Indian epics present in Javanese versions.
Wayang Golek, traditional Sundanese puppetry.
Sundanese literature was basically oral; their arts (architecture, music, dance, textiles, ceremonies, etc.) substantially preserved traditions from an earlier phase of civilization, stretching back even to the Neolithic, and never overwhelmed (as eastward, in Java) by aristocratic Hindu-Buddhist ideas.
Sundanese culture and tradition are usually centred around the agricultural cycle. Festivities such as "Seren Taun" harvest ceremony is held in such high importance, especially in the traditional Sundanese community in Cipta Gelar village, Cisolok, Sukabumi, and the traditional Sundanese community in Kuningan and Kampung Naga.
Since early times, Sundanese have predominantly been farmers. They tend to be reluctant to be government officer and legislators.